Video Blog above, but for those of you who can’t see the video, here’s the text only version.
First of all, some updates on new cameras being sent out in to the wild:
Camera 25, which brings us up to our quarter century, was given out over a meal of Ox Heart and Snails in East Dulwich on Wednesday night to Amy T.
Camera 26 was handed over to Simon A, after I met him at the Spectator dinner for a charity I’m involved in.
Camera 27 was a DIY camera bag created by Barry D in Liverpool, and has been hand-carried to Barcelona and dropped off at the Sagrada Familia. We’re awaiting more news on the drop off point.
In other news, we’re changed the instructions on the cards included in the camera bags, as well as on the cameras. The new wording attempts to bring people to the website if they find a camera, so more emphasis on letting us know where you’ve found cameras. Hopefully this will make more people respond when they find a camera. We’ve also made each URL on the camera unique, so we can get an idea if people are visiting the site, but not telling us, so at least we know our little disposables have found a new owner. If you are creating your own camera bags, don’t forget to tell us, so we can give you a unique code, so you’re able put this on your camera and make the most of the new tracking.
And finally (always the light hearted story), we’ve been blogged about by the lovely people at moo.com, who think our project is right up their street. Yay! to use a moo phrase. We love moo, and use them for the postcards you’ll find with the cameras - but also now we have lovely Disposable Memory Project stickers containing our kinda logo thingy - a play on the Keep Britain Tidy man, but ours is tossing away a camera. I’ll be putting a handful of stickers in each camera bag, so feel free to plaster yourself with them.
Fergus J has been sent one of the new batch of cameras, and will be taking his to New York in the upcoming weeks. We’ve also lined up another bunch of new cambags which will be winging their way to those of you who I’ve been chatting to recently. Remember to let me know where they land, and send a photo!
Nicky and Asi have been secretly working away on this lovely book project. I’ll let Nicky explain:
So, what’s the idea ? Well it’s a bit of a cross between Pass the Parcel, Consequences, and the 6 Degrees of Kevin Bacon. There’s 6 spreads in the book, and we’ve sent it to the most famous person we know to create something or leave a message, and then pass it on to the most famous person they know. Fingers crossed it will get to some exciting people along the way.
Lovely idea - something with a lovely crossover with our project I think. They should attach a camera to the book ;) Good luck with the project guys, and let me know when you auction it off.
I pulled out my digital camera, turned it on, and started fiddling with f-stops and zooming out to get just the right picture. At that moment I wished so badly that I could just take the picture without having to worry about any of these things. Just try to take the picture. Not have to worry about any of these things. Not able to worry about these things because they would be beyond my control.
Digital photography has, without discussion, revolutionised photography - and most importantly has made it massively accessible, enabling anyone to take and share images with the world at very low cost. Removing the effort and care needed when taking an image with film, or rather the high potential for error, has effects on both side of the coin though. Has being able to take hundreds of photos without thought devalued what a photograph means? I’m not a particularly good photographer, but odds are if I take enough images, one will be good that I post online. I throw away far more images than I keep. This is one of the meanings of ‘disposable’. Would I end up with better images if I spent more time composing shots, thinking about getting it ‘right’, rather than rattling off a dozen frames?
I think having the ‘black box’ of a film camera, and even more so a camera which you’re not sure you’ll ever see again, and don’t have the duty of care over, contextualises the image in a very different space. The image means more - it’s part of a story, one chance to capture a moment without an option to undo or revert, but at the same time is it throw-away, you’re not paying for it, you don’t care about the end product so much - so in part the action of capturing the moment is more important than the actual image or composition itself. It’s a memory captured and then lost until the message in the bottle finds its next carer. I think its an interesting contradiction.
As dusk falls on Friday 14th November, Adam Neate will be claiming the streets of London as his gallery by leaving 1000 artworks scattered across the city.
In order to estimate the latent demand for disposable cameras across the states or union territories and cites of India, we used a multi-stage approach. Before applying the approach, one needs a basic theory from which such estimates are created. In this case, we heavily rely on the use of certain basic economic assumptions. In particular, there is an assumption governing the shape and type of aggregate latent demand functions.
A project ‘inspired by’ our site has recently launched in the US. Meandering Cameras, setup by Alvin Liang and from Cambridge, Massachusetts is doing a pretty similar thing to us, and kudos to him for pushing on at a much faster rate than I have been doing! Alvin, I’d love to have a camera of yours and I’ll send you one of ours if you wanna do a swap!
I finally managed to scan the postcard which was made by the girl I gave the camera to at Burning Man. So it’s attached. She took a pic of me and printed in onto a postcard which I sent home to myself. I gave her the camera.